TL tested - Important Pre-Columbian Chavin Maranon pottery figure

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This Chavín Marañón pottery figure from Peru stands at an impressive 23 inches in height, showcasing the artistic and ceremonial traditions of its time. The figure possesses a distinct anthropomorphic form, with a rigid yet expressive posture. Its arms are raised slightly, bent at the elbows, creating a sense of animation and purpose. The legs are thick and slightly tapered, with the feet fused together, reinforcing a solid and grounded stance.

The head is notably large and rectangular, with an exaggerated forehead extending outward, a feature characteristic of Chavín-era artistry. The facial features are minimalist yet striking, consisting of a small triangular nose, thin horizontal mouth, and circular, slightly protruding eyes that give the figure a serene yet enigmatic expression. The ears are prominently rounded, possibly signifying ear spools or ritual adornments. Fine linear engravings cover the forehead and upper head, resembling a ceremonial headdress or an intricate hairstyle.

The surface of the pottery is decorated with painted and incised patterns in warm red and beige tones. The torso is adorned with symmetrical geometric motifs, potentially indicative of clothing, tattoos, or ceremonial attire. Bands encircle the waist and lower torso, hinting at textile elements or ritualistic markings. The presence of red pigmentation, a common trait in Chavín ceramics, suggests spiritual or religious significance. The figures back continues the linear head patterns, with the arms maintaining the same raised position. The smooth surface of the back, with subtle horizontal lines, complements the design of the front, reinforcing the unity of the piece.

Originating from the Chavín civilization, which flourished between 900 and 500 BCE, this pottery figure embodies the sophistication of Andean art and its deep connection to spiritual and religious practices. The stylized head shape and intricate markings suggest an elite or shamanic representation, possibly used in ceremonial rituals or burials. Figures of this nature were believed to hold spiritual power, embodying deities, mythical beings, or individuals of high status within Chavín society.

This extraordinary artifact reflects the technical skill and symbolic depth of Chavín artisans. Its expressive form, detailed ornamentation, and strong presence make it an essential piece in understanding the spiritual and artistic traditions of ancient Peru. The figure’s bold yet harmonious design offers a glimpse into the worldview and aesthetic sensibilities of one of the most influential pre-Columbian cultures.

Every known example that we know about measures around 15", this is the only known example that measures 23" which is 8" taller than all the other examples. Very few references for pieces of this kind. Three pieces of this type were exhibited at the Museum of art in Tucson, Arizona. From the Kasser collection, but much smaller in size. 

The piece has been restored from about 12 pieces with restoration over the break lines. Several areas repainted, both eyes restored. Typical for a piece of this size. This piece has been TL tested and will include a TL report. 

Ex. Isabel Gandelmann, Fl. acquired by family descent, Ex. George Gandelmann, Fenix Fine Arts, in the USA since 1970.

All items are vetted for authenticity and guaranteed to be as described. Every item has been legally acquired and legal to sell and purchase. All items will include full provenance details. Purchase with confidence!